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Разное          Автор Rennie P.          Издательство Black Dog Publishing

Modern British Posters: Art, Design & Communication
192 стр. твердый переплет

автор:Rennie P.
издательство: Black Dog Publishing
цена:1851 руб
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These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. From this point forward, the poster and the artistic avant-garde have been inextricably linked. Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde. Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This synchronicity has established the poster as a particularly significant cultural object. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s. Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. In Britain, the graphic archive is dispersed amongst various institutions.

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Постимпрессионизм (От Ван Гога до Гогена)

A propos du "Cirque" de Seurat. "Beaux-Arts", 15 mars 1926. 43. Sitwell O. Les Poseuses. "Apollo", juin 1926. 44. Fry R. Transformations - Critical and Speculative Essays on Art. London, 1926. 45. Zervos C. Idealisme et naturalisme dans la peinture moderne. "Cahiers d'Art", 1927. 46. Roger-Marx C. Georges Seurat. "Gazette des Beaux-Arts", dec. 1927. 47. Fels F. Les Dessins de Seurat. "L'Amour de l'Art", fevr. 1927. 48. Parker R. A. The Drawings of Georges Seurat. "International Studio", sept. 1928. 49. Zervos C. "Un Dimanche a la Grande-Jatte" et la technique de Seurat. "Cahiers d'Art", n° 9, 1928. 50. Rоger-Marx C. Les Dessins de Seurat. "L'Europe nouvelle", 12 janv. 1929. 51. Fry R. Seurat's "La Parade", "Burlington Magazine", dec. 1929. 52. Rey R. La Renaissance du sentiment classique dans la peinture francaise a la fin du XIXe siecle - Degas, Renoir, Gauguin, Cezanne, Seurat. Paris, 1931. 53. Dееne J. F. van Georges Seurat. "Maandblad voor Beeldende Kunsten", 6 juin 1931. 54. Werner B. E. Georges Seurat. "Die Kunst", fevr. 1932. 55. Rich D. C ...

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