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Разное          Автор Schmidt V.M.          Издательство Yale University Press

Italian Panel Painting in the Duecento and Trecento
516 стр. твердый переплет

автор:Schmidt V.M.
издательство: Yale University Press
цена:3074 руб
- нет в наличии

This brought about the transformation of existing object types, including painted crosses, altar frontals, and monumental panels of the Virgin and Child. From the middle of the 13th century onward, Italy witnessed a boom in panel painting. This work brings together an array of approaches to panel painting of the 13th and 14th centuries, a period that has received far less attention than the Renaissance. The international gathering of curators, art historians and conservators who contribute to this volume discuss specific types of panel paintings, and they also examine local traditions, individual artistic solutions, patronage, production, use, iconography, and the relationship of panel painting to other art forms. Among the broader issues they address are liturgy, aesthetics, the perception and function of religious imagery, and style. It also fuelled the development of new types of panel painting, particularly various forms of altarpieces, lunette-shaped panels for architectural settings, small-scale panels for personal devotion, and painted chests for private homes.

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Five Go Adventuring Again

Julian thought for a moment. After all, it couldn't matter telling him about the stone in the kitchen and the false back to the cupboard. Mrs. Sanders would tell anyone that. He could speak about the sliding panel in the hall too, and say they had found an old recipe book there. He did not need to say anything about the old bit of marked linen. So he told their tutor about the exciting things they had seen at the old farm-house, but said nothing at all about the linen and its strange markings. Mr. Roland listened with the greatest interest. 'This is all very remarkable,' he said. 'Very remark - able indeed. Most interesting. You say the old couple live there quite alone?' 'Well, they are having two people to stay over Christmas,' said Dick, 'Artists. Julian thought he would go over and talk to them. He can paint awfully well, you know.' 'Can he really?' said Mr. Roland. 'Well, he must show me some of, his pictures. But I don't think he'd better go and worry the artists at the farm-house. They might not like it.' This remark made Julian feel obstinate ...

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