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|Экономическая теория Автор Frederic P. Издательство Книга по Требованию|
Their faces and their voices eclipsed the voices which came from the radio, and even now, twenty years later, it is the eager, slightly whining voice of Weaver that I associate with Chester Good as he comes hurrying up the Dodge City boardwalk with gimpy enthusiasm, calling, "Mr. Dillon! Mr. Dillon! There's trouble down t'the Longbranch!БЂ« It was Suspense, the last of the grisly old horrors, that held out the longest, but by then TV had demonstrated its ability to produce its own horrors; like Gunsmoke, Inner Sanctum had made the jump from radio to video, the swinging door finally visible. And visible, it certainly was horrible enough-slightly askew, festooned with cobwebs-but it was something of a relief, just the same. Nothing could have looked as horrible as that door sounded. I'm going to avoid any long dissertation on just why radio died, or in what ways it was superior to television in terms of the imaginational requirements it imposed on the listener (although we will touch briefly on some of this when we talk about the great Arch Oboler), because radio drama has been rather overanalyzed and certainly overeulogized ...
|Gunsmoke Radio Episodes|
Gunsmoke is an American western radio series, which was developed for radio by John Meston and Norman Macdonnell.
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