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Кино как искусство. Энциклопедия кино. Народно-сценический танец          Автор Adams A.          Издательство Hachette Livre

Ansel Adams: 400 Photographs
432 стр. твердый переплет 27x22x4 см
978-0-316-11772-2

автор:Adams A.
издательство: Hachette Livre
год:2007
цена:2858 руб
- нет в наличии

An unprecedented showcase of four hundred essential photographs taken by Ansel Adams, documenting his growth as an artist from 1916 to 1968.

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In his exhaustive analysis of RFK’s murder, The Robert F. Kennedy Assassination (1991), Professor Philip H. Melanson shows that at least 11 bullets were fired that night in the Ambassador kitchen. Sirhan’s Iver-Johnson.22 revolver, the only weapon Sirhan had that evening, held eight bullets. Moreover, coroner Thomas Noguchi recorded that the bullet which actually killed Kennedy was fired from very close — inches at most — behind his head, leaving powder residue on his body. But every witness agreed Sirhan was to RFK’s front, and no closer than a yard (1m) at most from him. Sirhan was thus not the only shooter on the scene, and likely was not the killer. Various eyewitnesses recalled a woman in a polka-dot dress running from the scene shouting, «We shot him!» For almost 20 years the LAPD sat on its RFK assassination documents, and when Melanson and others were finally allowed to view the records many were found to have been lost, crudely censored or destroyed by the LAPD. Among the evidence destroyed were 2,400 photographs, including a roll of film taken of the actual shooting, 3,000 transcripts of interviews, and the door frame from the kitchen in which a number of bullets had lodged ...

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Кино как искусство. Энциклопедия кино. Народно-сценический танец

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Adams thought seriously about publishing his colour images but the task was not accomplished during his lifetime.
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Ansel Adams: 400 Photographs
The photographs are arranged chronologically into five major periods in order to convey Adams' s maturation as an artist - from his first photographs in 1916 to his last great photograph in 1968. ANSEL ADAMS' 400 PHOTOGRAPHS is intended as a must-have gift and reference book for anyone who appreciates photography and the allure of the natural world.
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These stunning photographs of the natural geysers and terraces in Yellowstone, the rocks and ravines in the Grand Canyon, the winding rivers and majestic mountains in Glacier and Grand Teton national parks, the mysterious Carlsbad Caverns, the architecture of ancient Indian villages, and many other evocative views of the American West demonstrate the genius of Adams' technical and aesthetic inventiveness. In these glorious, seminal images we see the inspired reverence for the wilderness that has made Ansel Adams' work an enduring influence on environmentalism as well as art.
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Georgia O'Keeffe and Ansel Adams
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Ansel Adams' legendary photographs inspire an appreciation for natural beauty and conservation that has communicated down the generations. His ambition was not simply to record the landscape, but to capture his emotional and spiritual response to the wild areas that he loved so deeply. The results are spectacular: an emotional charge and passion shine through the prints with an intensity that is as powerful today as it was over sixty years ago. In 1941, Ansel Adams was commissioned by the United States Interior Department to take photographs of the National Parks to be printed as murals for the walls of the new Interior Department building. This couldn' t have been closer to his heart: it combined a commercial assignment with his personal, creative work he referred to as within.
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A prompt bestseller and Pulitzer Prize-winner, The Education of Henry Adams (1918) recounts his own and his country' s development from 1838--the year Adams was born--up to 1905, thus incorporating the Civil War, unprecedented capitalist expansion, and the growth of the United States as a world power. Adams considered the nation both a success and a failure, and this paradox was the very impetus that compelled him to set down his Education--in the pages of which he also voiced a deep skepticism about mankind' s ability to control the direction of history.
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